The Peasant Cantata is as fresh and zesty as the Coffee Cantata and performed with the usual precision and charm one comes to expect from these two artists. "Singing The Word: The Cantatas of J S Bach". cantata for soprano, violin/flute, and continuo : Le Caffé is taken from the third volume of cantatas, whose texts are by Louis Fuzelier, a writer who became famous as the author of many works for the theatre. Bach's four short masses are parodies of cantata movements; he used several movements of Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, for two of them. Magnificat) and common tunes (e.g. 11, 16), chorale setting "O Gott, du frommer Gott" (s. 1), chorale setting "Was frag ich nach der Welt", chorale setting "Treuer Gott, ich muss dir klagen" (s. 12), chorale setting "Weg, mein Herz, mit den Gedenken", chorale setting "Freu dich sehr, o meine Seele", chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8), chorale setting "Helft mir Gotts Güte preisen" (s. 12), chorale setting "Zeuch ein zu deinen Toren", chorale setting "Nun lob, mein Seel, den Herren" (s. 5), chorale setting "Tröstet, tröstet, meine Lieben" (s. 3), chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5), chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12), chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4), chorale setting "Wie schön leuchtet der Morgenstern" (s. 7), chorale setting "Wie schön leuchtet der Morgenstern" (s. 6), chorale setting "Nun komm, der Heiden Heiland" (s. 8), chorale setting "Ich dank dir, lieber Herre" (s. 4), chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5), chorale setting "Kommt, lasst euch den Herren lehren" (s. 6), chorale setting "Wir Christenleut" (s. 3), chorale setting "Schwing dich auf zu deinem Gott" (s. 2), chorale setting "Freuet euch, ihr Christen alle" (s. 4), chorale setting "Jesu, nun sei gepreiset" (s. 3), chorale setting "Verleih uns Frieden gnädiglich" (ss. In his early compositions Bach also used instruments that had become old-fashioned, such as viola da gamba and violone. Since Schmieder's designation, several of the cantatas he thought authentic have been redesignated as "spurious." Bach often signed his cantatas with SDG, short for Soli Deo Gloria ("glory to the only God" / "glory to God alone").[2]. Vol. Erschallet, Trompeten! Bach wrote more than 200 cantatas, of which many have survived. Within the Lutheran liturgy, certain readings from the Bible were prescribed for every event during the church year; specifically, it was expected that an Epistel from an Epistle and Evangelium from a Gospel would be read. On the other hand, some modern performances and recordings use one voice per part. In Leipzig Bach was responsible for the town's church music in the Thomaskirche and Nikolaikirche and was head of the Thomasschule. Joshua Rifkin is well known is an advocate of this approach, although it has yet to be followed through in a complete set of cantatas. Six movements of his congratulatory cantata Durchlauchtster Leopold, BWV 173a, form the cantata for Pentecost Monday of 1724, Erhöhtes Fleisch und Blut, BWV 173, while a seventh movement was made part of the cantata for Pentecost Tuesday of 1725, Er rufet seinen Schafen mit Namen, BWV 175. 18世紀当時、本作の初演地のライプツィヒではコーヒー依存症が喫緊の社会問題 … the Coffee Cantata (Schweigt stille, plaudert nicht), and instrumental works. Violini. A couple of the surviving cantatas can be firmly dated to his time in Mühlhausen. At Coffee Cantata, freshness is key. Bach did not follow any strict scheme but composed as he wanted to express the words. The List of Bach cantatas is organized by BWV number but sortable by other criteria. Some instruments also carry symbolic meaning, such as a trumpet, the royal instrument of the Baroque, for divine majesty and three trumpets for the Trinity. Between 1958 and 1987, the London Bach Society, conducted by Paul Steinitz performed all the extant church and secular cantatas, 208 separate works, in various venues, mostly in the Church of St Bartholomew-the-Great, London. Typically, he began a heading with the abbreviation J.J. (Jesu juva, "Jesus, help"), followed by the name of the celebration, the beginning of the words and the instrumentation, for example in Gloria in excelsis Deo, BWV 191. Hautbois. Schweigt stille, plaudert nicht (BWV 211) je světská kantáta Johanna Sebastiana Bacha, známá také jako Kantáta o kávě nebo Kávová kantáta.Žánrově se blíží komické opeře a někdy bývá uváděna scénicky. They were also meant to be performed during church services. Folia), are not usually indicated in this column. The cantatas 54 and 199 were performed within the cycle but possibly composed earlier. Although classified as a cantata, it is essentially a miniature comic opera. The chorale was typically the chorale prescribed for that week (Hauptlied or Wochenlied). In the early 1950s Fritz Lehmann recorded several cantatas with the Berliner Motettenchor and the Berlin Philharmonic. nun geht das Jahr zu Ende, BWV 28, Wir danken dir, Gott, wir danken dir, BWV 29, Der Himmel lacht! [31], After Bach's death the cantatas fell into obscurity even more than his oratorios. Lib., by Picander, refers to the growing fondness for coffee at the time it was comp. Erschallet, Trompeten! The orchestra that Bach used is based on string instruments (violin, viola) and basso continuo, typically played by cello, double bass (an octave lower) and organ. THE COFFEE CANTATA JOHANN SEBASTIAN BACH English Versiion by Donald Pippin The clash between parental authority and youthful defiance has come to be known as the generation gap -- not an entirely new phenomenon. Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. / â / 4. Sigiswald Kuijken has recorded Cantatas for the Complete Liturgical Year with La Petite Bande and the soloists forming the choir. He continued to compose for the court until Leopold's funeral in 1729. Bach's cantatas usually require four soloists and a four-part choir, but he also wrote solo cantatas (i.e. During this time, he wrote a mini comic opera or dramma per musica called Schweigt stille, plaudert nicht (Be still, stop … / di / Signore / J.S.Bach". He had no responsibility for church music, but his employer Prince Leopold did commission secular cantatas. Another cantata in which Bach used that term is Ich bin vergnügt mit meinem Glücke, BWV 84. Nickname for humorous cantata by Bach (BWV211, 1732) sometimes perf. Most of Bach's church cantatas date from his first years as Thomaskantor and director of church music in Leipzig, a position which he took up in 1723. If more than one part was composed for one instrument, the number is given, for example "3Tr" for three trumpets. It is sortable by the cantata number which equals the number in the Bach-Werke-Verzeichnis (BWV), by title, by occasion during the liturgical year, the year of composition and date of first performance, as far as known. The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: Bachkantaten), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. Although the German term Bachkantate (Bach cantata) became very … Bach's Chorale cantatas are based exclusively on one chorale, for example the early Christ lag in Todes Banden, BWV 4, and most cantatas of his second annual cycle in Leipzig. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: International Music Score Library Project, Wie schön leuchtet der Morgenstern, BWV 1, Bleib bei uns, denn es will Abend werden, BWV 6, Liebster Gott, wenn werd ich sterben? Many cantatas composed in Weimar are set like chamber music, mostly for soloists, with a four-part setting only in the closing chorale, which may have been sung by the soloists. Helmuth Rilling, Gächinger Kantorei, and the Bach-Collegium Stuttgart completed a recording of the sacred cantatas and oratorios on Bach's 300th birthday, 21 March 1985. BWV 172, Ich liebe den Höchsten von ganzem Gemüte, BWV 174, Er rufet seinen Schafen mit Namen, BWV 175, Es ist ein trotzig und verzagt Ding, BWV 176, Ich ruf zu dir, Herr Jesu Christ, BWV 177, Wo Gott der Herr nicht bei uns hält, BWV 178, Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, Barmherziges Herze der ewigen Liebe, BWV 185, Singet dem Herrn ein neues Lied, BWV 190a, Ihr Häuser des Himmels, ihr scheinenden Lichter, BWV 193a, Laß, Fürstin, laß noch einen Strahl, BWV 198, Geschwinde, ihr wirbelnden Winde, BWV 201, Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205, Vereinigte Zwietracht der wechselnden Saiten, BWV 207, Auf, schmetternde Töne der muntern Trompeten, BWV 207a, Was mir behagt, ist nur die muntre Jagd, BWV 208, Was mir behagt, ist nur die muntre Jagd, BWV 208a, Laßt uns sorgen, laßt uns wachen, BWV 213, Tönet, ihr Pauken! [38] Sir John Eliot Gardiner and his Monteverdi Choir undertook the Bach Cantata Pilgrimage, performing and recording in the year 2000 the sacred cantatas at churches all over Europe and in the United States. There is some evidence for the chorale cantatas being performed at Leipzig after Bach's death, but the cantatas were little known until a society called the Bach-Gesellschaft began to publish the composer's complete works starting in 1851. Few people have been better positioned to observe it than J. S. Bach, some three hundred years ago. Meineke).[37]. BWV 172, Bach marked a repeat of the opening chorus after the chorale. A typical Bach cantata of his first year in Leipzig follows the scheme: The opening chorus (Eingangschor) is usually a polyphonic setting, with the orchestra presenting the themes or contrasting material first. Bach started it on the first Sunday after Trinity of 1723 and wrote a first annual cycle. In 1928, The New York Times reported the presentation in Paris of two secular Bach cantatas by opera soprano Marguerite Bériza and her company in staged productions, The Peasant Cantata and The Coffee Cantata. Name of the composition: if the composition is known by a German, extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision, extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. Bach titled them for example Concerto in Dialogo, concerto in dialogue. [example needed]. The list follows the Bach-Werke-Verzeichnis and contains all sacred cantatas (1–197, 199), secular cantatas (198, 201–215), fragments (50, 80b, 216, 224) and works formerly attributed to Bach (15, 53, 141–142, 160, 189, 217–223), lost cantatas (36a, 66a, 70a, 80a, 120b and others), as well as works which are no longer considered cantatas (11, 53, 118). The basso continuo consists of a group of players, depending upon the scoring of the cantata and the performance location. I: Die geistlichen Kantaten des 1. bis 27. Bach moved to Mühlhausen in 1707 when he was 22 to take up an appointment as the organist of St. Blasius church (Divi Blasii). So much so that he wrote a composition about the beverage. He sometimes assigns the voice parts to the dramatic situation, for example soprano for innocence or alto for motherly feelings. Ideally, a cantata text started with an Old Testament quotation related to the readings, and reflected both the Epistle and the Gospel, as in the exemplary Die Himmel erzählen die Ehre Gottes, BWV 76. Exact dates (e.g. Music was expected for all Sundays and holidays except the quiet times (tempus clausum) of Advent and Lent; the cantatas were supposed to reflect the readings. Distinct from the cantatas, a narrator, the Evangelist, tells a story in the exact Bible wording, while soloists and the choir have "roles" such as Mary or "the shepherds", in addition to reflective chorales or arias commenting on the story. (Be still, stop chattering), BWV 211, also known as the Coffee Cantata, is a secular cantata by Johann Sebastian Bach. The work can be viewed as a miniature opera – although Bach never wrote any operas in his life. Tromboni / e / Continuo. 12 volumes. Although classified as a cantata, it is essentially a miniature comic opera. / 2. We package and ship each order within 48 hours of roasting to bring you the freshest coffee possible. These instrumental parts are frequently set in virtuoso repetitive patterns called figuration. The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: church cantatas composed for occasions of the liturgical year, Learn how and when to remove this template message, Learn how and when to remove these template messages, personal reflection, personal essay, or argumentative essay, Church cantata (Bach) § History and context, Was mir behagt, ist nur die muntre Jagd, BWV 208, Lobet den Herrn, alle seine Heerscharen, BWV Anh. / Viola. When the date is followed by an abbreviation in brackets (e.g. 163–224, Numerical and alphabetical lists of cantatas by J. S. Bach (1685-1750) and various related works, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=List_of_Bach_cantatas&oldid=998000679, Lists of compositions by Johann Sebastian Bach, Short description is different from Wikidata, Wikipedia articles needing clarification from August 2016, Creative Commons Attribution-ShareAlike License. Voc. Breaking news: Johann Sebastian Bach, one of the greatest composers of all time, wrote an opera about coffee.Nearly 300 years ago. Cantatas, BWV 211–220 BWV 211: Schweigt stille, plaudert nicht (Coffee Cantata) BWV 212: Mer hahn en neue Oberkeet (Peasant Cantata) BWV 213: Laßt uns sorgen, laßt uns wachen (Hercules auf dem Scheidewege) BWV 214: Tönet, ihr Pauken! Many opening movements are based on quotations from the Bible, such as Sie werden aus Saba alle kommen, BWV 65, from Isaiah 60:6. for one soloist singer) and dialogue cantatas for two singers. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. In the absence of clear documentary evidence, there are different options as to how many singers to deploy per part in choral sections. While individual cantatas were recorded as early as the 1930s, a complete set was not attempted until the 1970s when Nikolaus Harnoncourt and Gustav Leonhardt began recording the Teldec set. Bach's … Festive occasions call for richer instrumentation. Bach's almost 200 extant cantatas are among his important vocal compositions. Links are found for the individual cantatas: Bach cantatas listed in the first chapter of the, Ibbitson, John, "A Bach cantata two decades in the making," Toronto Globe and Mail, Nov. 08, 2013 URL=. The bass is often the vox Christi, the voice of Jesus, when Jesus is quoted directly, as in Es wartet alles auf dich, BWV 187, or indirectly, as in O Ewigkeit, du Donnerwort, BWV 60. Most of the solo movements are based on poetry of contemporary writers, such as court poet Salomon Franck in Weimar or Georg Christian Lehms or Picander in Leipzig, with whom Bach collaborated. Described as a mini comic opera, 'Schweigt stille, plaudert nicht' ('Be still, stop chattering') it concerns the characters' addiction to coffee and was most likely first performed in a Leipzig coffee house. : S.D.G. History. The new cantatas Bach composed for Easter of 1725 and afterwards were not chorale cantatas: Two of these, BWV 128 and BWV 68, both starting with a chorale fantasia, are sometimes seen as included in the chorale cantata cycle. The cantatas are also regularly performed on Sundays at Holy Trinity Lutheran Church, New York City, under the direction of the Cantor (currently Donald R. ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162, Ihr, die ihr euch von Christo nennet, BWV 164, Ihr Menschen, rühmet Gottes Liebe, BWV 167, Gott soll allein mein Herze haben, BWV 169, Vergnügte Ruh, beliebte Seelenlust, BWV 170, Gott, wie dein Name, so ist auch dein Ruhm, BWV 171, Erschallet, ihr Lieder, erklinget, ihr Saiten! The following lists of works (some marked as questioned) rely mainly on Alfred Dürr's Die Kantaten von Johann Sebastian Bach. Day. One or two more surviving cantatas may have been composed while Bach was at his previous post in Arnstadt, for example, Nach dir, Herr, verlanget mich, BWV 150. In an aria of BWV 172, addressing the Heiligste Dreifaltigkeit (Most holy Trinity), the bass is accompanied only by three trumpets and timpani. Titles of the cantatas. Bach worked in Köthen from 1717 to 1723, where he composed for example the Brandenburg Concertos. For example, a movement from a partita for violin, in ceaseless motion, was arranged as an orchestral sinfonia with the organ as solo instrument for the wedding cantata 120a and again in Cantata 29, for which the organ was accompanied by a full orchestra dominated by trumpets. Bach's oratorios can be considered as expanded cantatas. Ton Koopman and the Amsterdam Baroque Orchestra & Choir recorded all vocal works of Bach in 10 years starting in 1994, including the cantatas. Media in category "BWV 211 – Coffee Cantata" The following 3 files are in this category, out of 3 total. Die Erde jubilieret, BWV 31, O ewiges Feuer, o Ursprung der Liebe, BWV 34, O ewiges Feuer, o Ursprung der Liebe, BWV 34a, Darzu ist erschienen der Sohn Gottes, BWV 40, Am Abend aber desselbigen Sabbats, BWV 42, Es ist dir gesagt, Mensch, was gut ist, BWV 45, Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46, Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47, Ich elender Mensch, wer wird mich erlösen, BWV 48, Ich armer Mensch, ich Sündenknecht, BWV 55, Ich will den Kreuzstab gerne tragen, BWV 56, Wer mich liebet, der wird mein Wort halten, BWV 59, Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64, Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a, Herr, wie du willt, so schicks mit mir, BWV 73, Wer mich liebet, der wird mein Wort halten, BWV 74, Die Himmel erzählen die Ehre Gottes, BWV 76, Du sollt Gott, deinen Herren, lieben, BWV 77, Gott der Herr ist Sonn und Schild, BWV 79, Jesus schläft, was soll ich hoffen? II: Die geistlichen Kantaten vom 1. On high feast days, the same cantata was performed in the morning in one of these churches, in a vespers service in the other. BWV 215: Preise dein Glücke, gesegnetes Sachsen; BWV 216: Vergnügte Pleissenstadt This page was last edited on 3 January 2021, at 07:50. The scoring is provided, grouped by singers and groups of instruments. Other cantatas are assumed to date from this period: Bach worked in Weimar from 1708. In 1929 the Swedish bishop Nathan Söderblom, a recipient of the Nobel Peace Prize, called Bach's cantatas the Fifth Gospel.[40][41]. By Bach's own account, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, was also composed at Mühlhausen. A few cantatas are opened by an instrumental piece before the first chorus, such as the Sinfonia of Wir danken dir, Gott, wir danken dir, BWV 29. "Grace in the Arts: / An Evangelical Musical Genius: / "J.S.B. 5, Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a, Church cantatas of Bach's third to fifth year in Leipzig, Late church cantatas by Johann Sebastian Bach, Kyrie–Gloria Mass, BWV 232 I (early version), Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections, List of organ compositions by Johann Sebastian Bach#Chorale Preludes, chorale setting "Auf, mein Herz, des Herren Tag", chorale setting "Jesus, meine Zuversicht", Secular cantata model for church cantata versions of BWV 194. Masaaki Suzuki commenced in 1995 a project to record the complete sacred cantatas with his Bach Collegium Japan for the Swedish label BIS; he completed the process in 2013. Leonhardt conducted the Tölzer Knabenchor, Knabenchor Hannover and the Collegium Vocale Gent, and the ensemble Leonhardt-Consort. A link to the free score of the Bach Gesellschaft in the International Music Score Library Project (IMSLP) is provided if available. 11, Willkommen! As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. Usually the cantatas appear in the year of their first performance, sometimes also for later performances and then in brackets. sections indicated by Roman numerals (I–III), "after" – indicating a model for the composition, "by" – indicating the composer of the composition (if different from Johann Sebastian Bach), "in" – indicating the oldest known source for the composition, "see" – composition renumbered in a later edition of the BWV. The cantata Wie schön leuchtet der Morgenstern, BWV1, was selected as the first work to appear in the Bach-Gesellschaft-Ausgabe, the first complete edition.[32]. The number of performances and recordings increased in the decades after the Second World War. The Academy of Ancient Music, Christopher Hogwood. The chorale can be as simple as a traditional four-part setting, or be accompanied by an obbligato instrument, or be accompanied by the instruments of the opening chorus or even expanded by interludes based on its themes, or have the homophonic vocal parts embedded in an instrumental concerto as in the familiar Herz und Mund und Tat und Leben, BWV 147, or have complex vocal parts embedded in the concerto as in Ärgre dich, o Seele, nicht, BWV 186, in a form called Choralphantasie (chorale fantasia). Bach used an expanded structure to take up his position in Leipzig with the cantatas Die Elenden sollen essen, BWV 75, and Die Himmel erzählen die Ehre Gottes, BWV 76, both in two parts, to be performed before and after the sermon (post orationem) and during communion (sub communione). [7][8], Even after he moved to Leipzig he retained his title of Fürstlich Köthenischer Kapellmeister (that is director of music to the court at Köthen). as opera. Bach. Church cantata performances alternated in the two churches for ordinary Sundays and took place in both churches on high holidays such as Christmas, then one in the morning, one in the afternoon, and again alternating for the three days such an occasion was celebrated. In the Bach-Werke-Verzeichnis (BWV), Wolfgang Schmieder assigned them each a number within groups: 1–200 (sacred cantatas), 201–216 (secular cantatas), and 217–224 (cantatas of doubtful authorship). The Japanese yearn for hope", International Music Score Library Project, Texts of the Complete Vocal Works with English Translation and Commentary, http://www.bach-cantatas.com/Books/S0102.htm, Johann Sebastian Bach – A Listener's Guide to the Cantatas, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=Bach_cantata&oldid=995014972, Articles with International Music Score Library Project links, Articles with unsourced statements from December 2019, Articles needing additional references from August 2020, All articles needing additional references, Articles containing Italian-language text, Wikipedia articles with style issues from August 2020, Articles with multiple maintenance issues, Articles needing examples from September 2019, Creative Commons Attribution-ShareAlike License, Section in which the composition appears in BWV. Fritz Werner started recording with the Heinrich-Schütz-Chor Heilbronn and the Pforzheim Chamber Orchestra a series that they called Les Grandes Cantates de J.S. Later in Leipzig, he derived several church cantatas from congratulatory cantatas, such as Erfreut euch, ihr Herzen, BWV 66, for Easter from the birthday cantata Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a. The list includes both extant cantatas and, as far as known, lost cantatas. / 4. [1] Works from three annual cycles of cantatas for the liturgical calendar have survived. The choir was the Thomanerchor, which also served the other main churches of Leipzig for which Bach was responsible. Complete Bach Cantatas. The Thomanerchor has sung a weekly cantata during the evening service Motette on Saturday. おしゃべりはやめて、お静かに(独:Schweigt stille, plaudert nicht、別名:コーヒー・カンタータ、BWV 211)は、J. His secular cantatas, around 50 known works, less than half of which surviving with both text and music, were written for academic functions of the University of Leipzig, or anniversaries and entertainment among the nobility and in society, some of them Glückwunschkantaten (congratulatory cantatas) and Huldigungskantaten (homage cantatas). Typically Bach employs soprano, alto, tenor and bass soloists and a four-part choir, also SATB. Alto recorders (flauti dolci) are sometimes used in connection with death and mourning as in Gottes Zeit ist die allerbeste Zeit, BWV 106. In many arias Bach uses obbligato instruments, which accompany the singer as an equal partner. This work shares with J S Bach's "Coffee cantata" the distinction of being the only such works on the comtemporary craze for coffee. Trinitatis-Sonntages, Kassel/Stuttgart 2004. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner. 6–7), chorale setting "Barmherzger Vater, höchster Gott" (s. 9), chorale setting "Ich hab in Gottes Herz und Sinn", chorale setting "Der Herr ist mein getreuer Hirt" (s. 1), chorale setting "Allein Gott in der Höh sei Ehr", chorale setting "Jesu, der du meine Seele" (s. 11), chorale setting "Gott Vater, sende deinen Geist" (s. 10), satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc, chorale setting "Wir Christenleut" (s. 5), chorale setting "Der Herr ist mein getreuer Hirt" (s. 5), chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8), chorale setting "Ach, lieben Christen, seid getrost" (s. 6), chorale setting "Mache dich, mein Geist, bereit" (s. 10), chorale setting "Straf mich nicht in deinem Zorn", chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. In Nun komm, der Heiden Heiland, BWV 61, for the first Sunday in Advent, the beginning of a new liturgical year, he rendered the opening chorus as a French overture. From 1953, Max Thurn conducted for the broadcaster NDR a series of Bach cantatas, with members of the NDR Chor and members of the NDR Sinfonieorchester. 2010. Working for Leipzig's Thomaskirche and Nikolaikirche, it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. Bach. Academic functions took place at the Universitätskirche St. Pauli. 9–10), chorale setting "Nun lasst uns Gott dem Herren", satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc. The cycle extends over several years, although the cantatas from 1727 have been termed as "between the third and fourth cycles". S. バッハの世俗カンタータ。 1732年から1734年にかけて作曲されたカンタータであり、小喜歌劇である。. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. [34][35] Karl Richter called his choir programmatically Münchener Bach-Chor in 1954 and recorded about a third of the cantatas. BWV 81, Ich bin vergnügt mit meinem Glücke, BWV 84, Wahrlich, wahrlich, ich sage euch, BWV 86, Bisher habt ihr nichts gebeten in meinem Namen, BWV 87, Siehe, ich will viel Fischer aussenden, BWV 88, Was soll ich aus dir machen, Ephraim, BWV 89, Es reißet euch ein schrecklich Ende, BWV 90, Wer nur den lieben Gott läßt walten, BWV 93, Herr Christ, der einge Gottessohn, BWV 96, Nimm von uns, Herr, du treuer Gott, BWV 101, Herr, deine Augen sehen nach dem Glauben, BWV 102, Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105, Gottes Zeit ist die allerbeste Zeit, BWV 106, Es ist euch gut, daß ich hingehe, BWV 108, Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, Was mein Gott will, das g'scheh allzeit, BWV 111, Herr Jesu Christ, du höchstes Gut, BWV 113, Ach, lieben Christen, seid getrost, BWV 114, Du Friedefürst, Herr Jesu Christ, BWV 116, Sei Lob und Ehr dem höchsten Gut, BWV 117, O Jesu Christ, meins Lebens Licht, BWV 118, Gott, man lobet dich in der Stille, BWV 120, Herr Gott, Beherrscher aller Dinge, BWV 120a, Gott, man lobet dich in der Stille, BWV 120b, Liebster Immanuel, Herzog der Frommen, BWV 123, Mit Fried und Freud ich fahr dahin, BWV 125, Erhalt uns, Herr, bei deinem Wort, BWV 126, Herr Jesu Christ, wahr' Mensch und Gott, BWV 127, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, Bereitet die Wege, bereitet die Bahn, BWV 132, Ein Herz, das seinen Jesum lebend weiß, BWV 134, Die Zeit, die Tag und Jahre macht, BWV 134a, Erforsche mich, Gott, und erfahre mein Herz, BWV 136, Lobe den Herren, den mächtigen König der Ehren, BWV 137, Warum betrübst du dich, mein Herz, BWV 138, Wohl dem, der sich auf seinen Gott, BWV 139, Nimm, was dein ist, und gehe hin, BWV 144, Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145, Herz und Mund und Tat und Leben, BWV 147a, Bringet dem Herrn Ehre seines Namens, BWV 148, Schau, lieber Gott, wie meine Feind, BWV 153, Mein liebster Jesus ist verloren, BWV 154, Ich lasse dich nicht, du segnest mich denn, BWV 157, Sehet, wir gehn hinauf gen Jerusalem, BWV 159, Ach! 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