The number that gets bandied around a lot is 1500 tracks spread out over a number of different libraries both exclusive and non-exclusive. (We get paid by our clients to source and license music for them.) You can also sell your music elsewhere non-exclusively. There is some basic understanding of publishing and contracts that's required, but this is, after all, your business and career. Want to Learn How to Successfully License Your Music to TV and FILM? Confused? They are very selective and pitch to specific opportunities. What type of music do you do? It's easy to submit on line with them but you do have to wait awhile for accept/reject notice. Non-exclusive production music libraries enable a composer to sign a non-exclusive agreement allowing the artist to license the same piece to other libraries and clients with the same non-exclusive agreement. You may submit tracks that have already been placed elsewhere as examples, but they require exclusivity on all tracks added to their library. They’ll often start working with a second non-exclusive library, who will take the exact same song and re-title it Sunny Skies. I'm curious why non-exclusive? Guides, tariffs and links to the best production music libraries around. Come On Down! To be clear, they are administering the EXACT SAME RECORDING, just under a different title. Research Music Libraries. This allows you to retain 100% of the publishing on Sunny Day. If you know any library to stay away, please tell me. What production music libraries work best for your style of music? All their royalty-free tracks are handpicked by music industry experts. Blimey, what a change!But the fundam… License Lab: Exclusive licensed music, smaller selection of high-quality tunes, not royalty free. If you are serious about creating a long-term income, and long-term career through licensing, it's been my experience that you really have to go the exclusive route. This is where working with multiple non-exclusives can turn into a big mess…. Learn about the pros and cons of exclusive and non-exclusive music licensing deals. How do you stand out from the crowd? Selected music will be available on MediaMusicNow (and any other sites we own and sell licenses from). How to Submit Music to Music Libraries: A List of Music Submission Pages One of the best revenue streams I've found for music comes from licensing. When you run a search by using our HyperSearch, Instant Search, or by Mood or Style, once the tracks come up, you can sort by “Exclusive First” to see over 115,000 Exclusive tracks available only on our site. You!! No. Just think of us as another arrow in your quiver. The benchmark for libraries that I use is Crucial Music. Unlike some other libraries, we do not require you to sign over the copyright and master to your songs in order to become exclusive. should you sign with a non-exclusive library? Am currently on a few very specific exclusive libraries. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Today, as a rule, it’s a very different story. Libraries often promote exclusive music over non-exclusive music. AudioSparx offers both Exclusive and Non-Exclusive music for your productions. Want to keep your music placement options open? If we can use your music it will be available on MediaMusicNow (or any other sites we own and sell licenses from). If you're concerned that an exclusive library will own the publishing of your music forever, simply pay attention to the contract. I look for non-exclusive libraries, in which I can remove songs if necessary. They do not accept any music on a non-exclusive basis. You can register with as many non-exclusive entities that you like, you can get 3rd party PR representation, and you can shop your music to agency producers and TV/Film supervisors yourself. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. 5. By being a non-exclusive music library, it's obviously easier to grow your music library quickly. Soundware news. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed…. Remember, same exact recording, just different titles…. Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. This allows you to retain the full rights to your originally titled song. — Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? Well, it starts with the quality of the catalog. This is totally understandable. I sign that song to a non-exclusive library, and they re-title the song Blue Skies. them away. For many of us, our songs are our babies, and we don't want to just give them away. HOLLYWOOD (US & CANADA HEADQUARTERS) • 6255 W Sunset Blvd Ste 900, Hollywood, CA 90028 • P 323.461.3211 • Fax 323.461.9102 Good point! It is also important that they do not generate any type of Content ID (fingerprint or trace music). We only take non-exclusive music where it fills a gap in our library or if the quality blows us away. Non-exclusive libraries are facing rising technical problems caused by the growth of automatic tune-recognition software which scans broadcasts and Internet videos and creates clashes between rival claims over the same music. 7. “Non-exclusive” deals allow you the freedom to work with whomever you want, but companies offering these deals are typically larger than an exclusive library and your content may have a harder time finding the spotlight. What might be the best libraries to submit to? Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. Many non-exclusive companies have websites that allow just about anyone to ‘sign up’ for an account and upload their music for inclusion in the catalog. BUT I want to focus my attention on getting you to actually start DOING something! Make sure there is a term-limit (3 years is fair), and be clear on the reversion clause. Let them deal with it.” But ultimately Company A is getting paid for something they didn’t do, while Company B is going to be looking for the money that they’re owed… Guess who will find themselves in the middle of this conundrum? Let me give you an example: HOW NON-EXCLUSIVES WORK… Let’s say I have a song called Sunny Day. On top of this, again generally speaking, non-exclusive licenses don’t generate the higher dollar placements that exclusives do. June 24, 2012. Hands-off. In the rest of this post, I will explain the essentials (exclusive versus non-exclusive deals, synch fees versus performance royalties, the role of music libraries, etc.) Semi-exclusive . You don’t get fifteen minutes. Share with us in the COMMENTS SECTION BELOW: The Perfect Marriage of Musicianship and Entrepreneurship. No problem. But the main idea with the non-exclusive ones would basically be... well, you go to some of them and listen to some of the tracks and some of them don't sound very good. This is totally understandable. Let’s say I have a song called Sunny Day. Guess I'll just need to start writing and then think about who I should submit to. And reasonable composer's share of course from the syncs. The whole process has reduced to a few words of text, and a bunch of hyperlinks. I'm thinking minimum hassle, no jumping through hoops except for creating quality tracks for it, and not royalty free (definitely want those PRO royalties eventually). I would try both. What have your experiences been with exclusive and/or non-exclusive libraries? Find out what's the best option for your music career. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). This is a very quick and easy way to upset the companies repping your music, and destroy their desire to continue working with you. This is why many musicians initially decide to work with a non-exclusive music library instead of an exclusive one. Non-Exclusive: Alright, the big benefit of being non-exclusive is that you can literally get your music out there, to anyone. In time you will build up a catalog that should generate a nice income stream. The best place for when you want music for audio and audio-visual productions. New comments cannot be posted and votes cannot be cast, More posts from the WeAreTheMusicMakers community, Continue browsing in r/WeAreTheMusicMakers, Press J to jump to the feed. We believe in the significant benefits for our clients provided by exclusivity in licensed music. You don’t get a meeting. Get the facts before you decide. They’re looking for authentic recordings in All Tempos that might fit well on a playlist with the following references: Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Opportunities. Premium Beat, a division of Shutterstock, offers a nicely curated library of music. I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. For many of us, our songs are our babies, and we don't want to just. They will then take 100% of the publishing for any placements under the title Blue Skies because they are now the administrator for this 're-titled' version of the song. You now have two different companies, as well as yourself, pitching the same exact recording, but under three different titles: These days we have audio recognition technology that can listen to a song and determine what, and whose, it is. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. CD Baby offers music licensing services, but on very different (more artist-friendly) terms than what is discussed below. Tunefruit: A fun, fresh music marketplace for online video with convenient searching by popular genres and tags. Well, I suppose I wouldn't mind an exclusive library at some point, either. Do you have a fear of giving up the rights to your music? This is definitely a great thing. In this video I talk about my thoughts on Non-Exclusivity in music libraries. Often there is no quality control regarding what gets added to those catalogs, and I’d encourage you, if you’re interested in working with some non-exclusives, before you sign up, take some time and listen to the music they represent. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. Non-exclusives, while perhaps more consistent, might place in much lower-budget and smaller projects. You may find that you don't want to associate your music with the quality of those catalogs. Do you have a fear of giving up the rights to your music? I have a few trailer placements from different styles, so hybrid orchestral, electronic, synth, industrial etc... but for this library/libraries I'm looking for I was thinking of making most likely some ambient/suspense/"general TV" tracks for starters. Accountable. Our deal is non-exclusive, and we encourage musicians to take advantage of as many chances to pay off that Gretsch you still have 198 payments left on. There are many other opportunities in the music licensing world but they … Exclusive Contracts vs. Non-Exclusive Contracts with Music Libraries Posted by mazz on Wednesday, April 14th 2010 This topic has been coming up a lot lately and also I had the opportunity to hear about this from some of the bigger libraries recently and thought I’d weigh in on it. Whereas other libraries claim to be royalty free then require you to report usage and pay performance royalties, Epidemic Sound includes everything; packaging all the legal rights you could need into one simple license. They're non-exclusive and they get a lot of good placements for TV, film, good synch fees and they file for PRO royalties correctly. We maintain a list of friendly and helpful re-title non-exclusive libraries to whom we refer new customers who may be better suited by the non-exclusive business model, just send us an email. Can be libraries without royalties. Please only submit music tracks that: Have not been placed in any media productions before, AND; Have never been re-titled or placed in a non-exclusive library; If your music fits this description, we are happy to take a … Why? Zdravko Djordjevic. Non-Exclusive. You don't have to worry about a conflict with backend royalties and publishers fighting over the publishers share. Thank you. Want Your Songs to be Heard by Millions AND Generate a Consistent Income? Hi, I've thought of creating some library music for TV etc to hopefully get some extra income and eventually a trickle of PRO royalties going on. This can make high-end clients reluctant to use non-exclusive music. Absolutely. There are no inconsistencies in licensing fees. Many composers and songwriters are lately being offered what seems like a deal too good to pass up: get film/TV placements of their music and a share of sync fees from non-exclusive distributors while retaining 100% of their copyrights. Any recommendations? With non-exclusive music libraries a composer gives the same piece of music to numerous music libraries, in effect "spreading their bet". But yeah, it is indeed a good point about the exclusive libraries and their motivation to push your music out there. Some libraries say you can submit music to them non-exclusively. Original, vintage Country songs with male or female vocals that were recorded between 1940 and 1979 are needed by a Non-Exclusive Music Library with a ton of credits in Feature Films, TV Shows, and TV Commercials. I greatly appreciate your help. Royalty Free Music re-imagined, is the Epidemic Sound approach to tackling the complexities of music licensing. What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty they should have received, but didn’t. If you work with just one non-exclusive company to administer your music, then you probably won’t run into any issues, but here’s the problem… most people won’t. To be clear, they are administering the EXACT SAME RECORDING, just under a different title. September 30, 2020. by Music Connection. And you certainly don’t get invited for a drink in the pub afterwards if the meeting went well!What you do get to do, is to send an email. This allows you to retain the full rights to your originally titled song. Generally speaking, a non-exclusive library will take your song, re-title it, and administer the rights to the re-titled version of your song. On top of this, again generally speaking, If you're concerned that an exclusive library will own the publishing of your music forever, simply. Non-exclusive means that you can pitch the same tracks that you have with us to other companies, while exclusive means that those tracks would be exclusive to Directional Music. If my music becomes available through Bedtracks, can I submit music to other music licensing companies? Option 2: Placing your catalogue in music libraries . What's the best music library to get started? should you sign with a non-exclusive retitled library? 6. It's easier to focus marketing and promotional efforts to one source. List of high end music libraries. The real truth is that this is a long game business that requires patience and persistence. My understanding is that exclusive libraries act more like supervisors and will have better luck (although less frequent) at getting your stuff placed in TV and film. TRANSFORM from STARVING ARTIST to SUCCESSFUL MUSICIAN! What’s going to happen is Company A will receive a royalty for the publishing on a placement they never secured, while Company B will be chasing after a royalty, Now, as the songwriter, you’re still going to get paid your portion for the songwriting, so you may think, "Who cares? Licensing music for use in television, movies, ads, radio, video games, digital apps, websites, ect, gives you that much needed income so you can continue to finance your additional music goals. You don’t have to look sharp, or have a shave, or buy a return trip to London. That’s it. I think most of them have pretty specific styles. So I'm thinking I might get something in that stands out, with relative ease. You will also need a lot of material. Hands-on, personal approach to finding music. Best non-exclusive stock music libraries (for the composer)? We generally don't take a piece of license fees, so 100% come to you. What might be the best libraries to submit to? These non-exclusive music libraries usually re-title the track name, so it is harder to trace how many libraries a single piece of music may be in. Let’s say Company B secures a placement (Sunny Skies), however, for some reason the audio recognition software recognizes it as the version administered by Company A (Blue Skies). Press question mark to learn the rest of the keyboard shortcuts. Composers and songwriters who want to submit music should follow the following guidelines. Vintage Country Songs Needed by a Non-Exclusive Music Library. Us away and publishers fighting over the publishers share in that stands out, with ease. Second non-exclusive library, who will take the EXACT same song and re-title it Skies. Benefit of being non-exclusive is that this is why many musicians initially decide to work with a non-exclusive! % come to you services, but this is why many musicians initially decide to work with non-exclusive... Of publishing and contracts that 's required, but this is where working with a non-exclusive music library to started... Cd Baby offers music licensing companies please tell me sites we own sell! 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